Auto/Pathographies

© J. Spence and D. Roberts, 1991-1992

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© J. Spence and D. Roberts, 1991-1992

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Auto/Pathographies

with Carl Bouchard, Pascal Dufaux, Chantal duPont, Angela Ellsworth & Tina Takemoto, Christina Lammer, Susan B. Markisz, Pam Patterson, Jo Spence & Terry Dennett

Curator(s): 

Exhibition
September 15 – October 20, 2012

Opening
Saturday, September 15 at 5 pm

Round Table
(bilingual)
Saturday, September 15 at 3:30 pm
with Tamar Tembeck, Kim Sawchuk, Christina Lammer and Carl Bouchard

Listen to the Round Table:

Right-click to download as MP3 (60 Mb)

Commented visits with the curator
(in French with bilingual Q & A)
Saturday, September 29 at 2:30 pm, during Les Journées de la Culture
Saturdays, October 13 and 20* at 2 pm
* the artist Chantal duPont will also be in attendance to answer to visitors' questions

Through the media of photography, performance and video, the group exhibition Auto/Pathographies addresses questions of identity and (self-)representation in the face of illness. Bringing together works from artists based in Canada, the U.S., Britain and Austria produced from the 1990s until today, the exhibition offers both sensitive and critical perspectives on the roles played by disease in redefining individual existence and interpersonal relations.

The term pathography, borrowed from the field of literature, typically refers to a narrative account of illness. In the context of this exhibition however, its meaning is expanded to include both visual and performative “portraits” of the experience of disease. The photographic and video works presented in the exhibition are produced from either an autobiographical perspective (autopathographies), or in an exchange between sick and healthy individuals (relational pathographies).

Amongst the collaborative artworks presented in the exhibition are a number of rare images from the Jo Spence Memorial Archive, which will be shown for the first time in Canada. Auto/Pathographies features Spence’s photographic explorations of mortality from her last series entitled The Final Project.

With each of the artworks presented in Auto/Pathographies, sickness is transformed into a site of active aesthetic, political, and even metaphysical inquiry -- one whose interest extends well beyond that of the individual subject’s narrative.
 

Auto/Pathographies
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Carl Bouchard

Carl Bouchard completed a Bachelor in visual arts at UQAC in 1990. Since then, he has been working in Chicoutimi, first at the studio l’Oreille Coupée (1989-1997), and now at the Ateliers d’Artistes TOUTTOUT, where he was a founding member. He is also a founding member and president of the artist-run centre Le LOBE (1993), and since 2008 has been working as an art specialist for the application of policies pertaining to the integration of art into architecture and the environment. Bouchard has presented 12 solo exhibitions and 55 group exhibitions in Quebec, Ontario, France and Austria. His artworks belong to numerous private and institutional collections in Quebec. His work has been supported by the Québec government's Ministère des affaires culturelles, the Conseil des arts et des lettres du Québec and the Canada Council for the Arts. The publication Par défaut / By Default presents a portrait of his production from 2004 to 2008. Since 1998, Bouchard has also been developing a parallel interdisciplinary practice in collaboration with the artist Martin Dufrasne.

Pascal Dufaux

Pascal Dufaux has been making kinetic video machines and installing them in various exterior and interior spaces for several years. Reappropriating video surveillance cameras, these machines use a motorized mechanism to make the cameras rotate in orbits and scan their immediate environment. Just like probes sent into space, they inform viewers of their surroundings. Pascal Dufaux has presented his work in many venues in Canada, Europe, and other parts of the world.

Chantal duPont

Chantal duPont has taken part in many international video festivals and individual and group exhibitions in Quebec and abroad. She was the recipient of the 2005 Bell Canada Award in video art. Her work is internationally recognized and has received awards in several festivals, including events in Belgium, Colombia, France, Portugal and in Montreal, where she won the Prix à la Création artistique from the Conseil des arts et des lettres du Québec for her video Headstrong / Du front tout le tour de la tête. Her work has been the subject of retrospectives in Montreal and abroad, including at the Festival International de Films de Créteil, Optica Gallery, the Ed Video Media Arts Centre in Guelph, and the 2007 Festival International des Films sur l’Art at the Museum of Contemporary Art in Montreal, curated by Nicole Gingras. Her work is mainly concerned with issues of the identity and the memory of the body.

Angela Ellsworth

Angela Ellsworth is a multidisciplinary artist and Associate Professor at Arizona State University's School of Art in the Herberger Institute for Design and the Arts. Traversing disciplines of drawing, installation, and performance, she is interested in the merging of art with everyday life and the collision of public and private experiences in unexpected spaces. Her solo and collaborative work has taken in wide-ranging subjects such as illness, physical fitness, endurance, social ritual, and religious tradition. Her work has been reviewed in ArtUS, Art News, Frieze Art, and Artforum. She has presented work nationally and internationally at venues including the Getty Center, the Museum of Contemporary Art of Sydney, the National Review of Live Art, Los Angeles Contemporary Exhibitions, Museum of Contemporary Art Denver, Scottsdale Museum of Contemporary Art, and Phoenix Art Museum. She is represented by Lisa Sette Gallery in Scottsdale and Fehily Contemporary in Melbourne.

Christina Lammer

Christina Lammer is a collaborative multimedia artist, research sociologist and lecturer based in Vienna. Her work combines sensory ethnography with video, performance and body art in hospitals and clinics, focussing on embodied emotion and sensory interaction between patients and physicians during the course of medical treatment. In Features: Vienna Face Project (2009-2014), Lammer investigates the place of portraiture and the aesthetics of the smile in facial plastic and reconstructive surgery. Surgical Wrappings (2009-2014) explores the material culture of surgery. Works in the series CORPOrealities (2004-2009) considered empathy, somatic perception, and the role of touch and the hands in the use of techniques such as image-guided vascular surgery at the Medical University of Vienna (MUV). Her most recent book is CORPOrealities (Vienna, Löcker Verlag, 2010). Lammer holds a Ph.D. in sociology from the University of Vienna.

Susan B. Markisz

Susan B. Markisz is an award-winning multimedia journalist and contract photographer who joined UNICEF as a staff photographer and assistant photo editor in 2005. She has been frequently honored by the NPPA, NYPPA, and the New York Press Association for her work in photojournalism for many clients including The New York Times, The Daily News, The Cleveland Plain Dealer, The National Post and numerous other publications, corporate clients and NGOs. Markisz was a special correspondent for The Digital Journalist, honored in 2002 by the National Press Photographers Association, and by Columbia University, with an Online Journalism Award for excellence in writing, among other things, for its September and October 2001 issues “Seeing the Horror,” which she wrote and co-produced. Other notable contributions to The Digital Journalist included interviews with Bryan Whitman, Deputy Director of Defense at the Pentagon, for her article “Putting the Media in Soldiers’ Shoes” about embedded journalists in Iraq.

Pam Patterson

Pam Patterson has been active in the art and women’s communities for 25 years. Her research, performance and teaching focus on embodiment in art practice, the body in art, disability studies, women and gender studies, and feminist art education. She has been published in Studies in Art Education, Resources for Feminist Research, Matriart: A Canadian Feminist Art Journal, FUSE, Fibrearts and Parachute. She has taught at various institutions, including Sheridan College, George Brown College, Ryerson Polytechnical University and the University of Toronto. She is currently Research Associate and Director for the interdisciplinary arts program, Women in Action for the Centre for Women’s Studies in Education at the Ontario Institute for Studies in Education of the University of Toronto. She also teaches at York University, Wilfrid Laurier University and the Art Gallery of Ontario. As a performance and visual artist she was a founding member of FADO Performance and ARTIFACTS, and has exhibited and performed internationally.

Jo Spence

Jo Spence (1934-1992) was a photographer and teacher well known for her poignant explorations of the family and self-image through her book Putting Myself in the Picture (Camden Press). In 1982 she broke new ground by developing methods of using photography as a therapeutic tool - first as an adjunct to her breast cancer treatment program, and secondly as a means of confronting the question of mortality and approaching death following a second and final diagnosis of leukaemia.

Terry Dennett

Terry Dennett has curated the Jo Spence Memorial Archive London for twenty years. In another life he is a Fellow of the Royal Anthropological Institute with a special interest in urban crisis and social exclusion. Currently he is also President of the Association for Historical and Fine Art Photography. In his role as a curator, Dennett continues to assist students worldwide who are interested in Jo Spence and her therapeutic concerns. He can be contacted at: Dennett@GMX.net

Tina Takemoto

Tina Takemoto is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her work examines issues of race, queer identity, memory, and grief. Her current project explores hidden dimensions of the GLBT (gay, lesbian, bisexual and transgender) experience in the Japanese American incarceration camps during World War II. She has received grants from Art Matters, James Irvine Foundation, and the San Francisco Arts Commission. She has exhibited at the GLBT History Museum, Sabina Lee Gallery, SF Camerawork, SOMArts, Vargas Museum, and numerous film festivals including Ann Arbor Film Festival, Frameline, and MIX NYC. She has published articles in Afterimage, Art Journal, Performance Research, Women and Performance, and the anthology Thinking Through the Skin. She is a board member of the Queer Cultural Center and co-founder of Queer Conversations on Culture and the Arts. On occasion, she makes guerrilla appearances as Michael Jackson and Björk-Geisha.

Tamar Tembeck

Tamar Tembeck is a performing artist and independent curator who holds a PhD in Art History. Her academic research primarily engages with visual cultures of illness and medicine, hospital art practices, as well as performance and media studies. Trained in dance and physical theatre, Tamar has performed in Quebec and the United States, as well as in France, Spain, England, Switzerland and Mexico. As a curator, her projects include the group exhibition Auto/Pathographies, shown at the Kunstpavillon (Innsbruck) and at OBORO (Montréal), documented in a 2014 publication with Sagamie édition d’art. Since 2012, she has been working within an interdisciplinary media studies research hub at McGill University.