Kim Waldron Beautiful Creatures
K. Waldron, 2010
Opening on Saturday, March 9 at 5 pm
(a carnivorous treat prepared by the artist will be served, as well as some vegetarian options)
Round Table (in French) on Thursday, March 14 at 2 pm
Autopsie du mangeur (la suite) : la nourriture et la mort dans les arts et la littérature (in succession to ORANGE 2012), animated by Geneviève Sicotte, with Mélanie Boucher, Élise Desaulniers, Karine Hubert, Ianik Marcil and Kim Waldron at Librairie Raffin, 6330 Saint-Hubert Street, Montréal [more info]
In order to understand how animals are transformed into the meat that we eat, during a one-month residency at English Harbour Art Centre in Newfoundland I put myself in the shoes of the slaughterer, the butcher and the cook. I produced a series of photographs in the form of a documentary that questions the profound disconnection that we live with in relationship to food.
The head of each slaughtered animal was stuffed and mounted as a trophy. To accompany the presentation of the artwork, during the opening of the exhibition “La Colonie” on the 19th of June 2010 I roasted a whole lamb on a spit and served several lamb dishes.
Acknowledgments: Conseil des arts et des lettres du Québec, English Harbour Arts Centre, Fishers’ Loft Inn, Bonavista Cultural Institute, Lorie and Mike Paterson, O’Flaherty’s Slaughter House, Morry’s Sheep Farm, Leamington Farms, Stan Tobin, Ed Abbot, Kay and Walter Young, Harry Wareham, Mervin Wiseman, Eric Shelly, Centre de formation professionnelle Calixa-Lavallée, Jaime Leblanc, Eleanor King, Brian Ricks, Marion Cheeks, Jack Stanley, Œil de Poisson, Donald Vézina, Andrée Brisson, Martin Dufrasne, Sarah Greig, Therese Mastroiacovo and Jean-Michel Ross.
K. Waldron, 2010
Kim Waldron is a Montreal-based visual artist. Her art practice frequently uses self-portraiture as a means of engaging with various contemporary social situations. Over the years she has questioned the role of images and the importance of context as discourse. The conceptual framework of her photographic series is based on the boundary that defines reality and fiction. Not only is self-representation an integral component of her work, the contexts that she uses to create these narratives is equally important.
Active in the local, national, and international scene, most recently she has exhibited work at Montreal Museum of Fine Arts, CIRCA art actuel (Montreal), Jimei X Arles International Photography Festival (Xiamen), Mains d’Œuvres (Paris), Ortega y Gasset Projects (NYC) and Dunlop Art Gallery (Regina). She has an MFA from Concordia University and a BFA from NSCAD University. She has been awarded artist residencies in Paris, Vienna, Newfoundland, Xiamen and Beijing. She was the recipient of the Claudine and Stephen Bronfman Fellowship in Contemporary Art and the Pierre-Ayot Award in 2013.
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland
Kim Waldron, Beautiful Creatures [Belles bêtes], 2013. Photo : Paul Litherland