Board of Directors and Governance

Co-Founders: Su Schnee and Daniel Dion (1958-2014)

Click on a name to see the person's biography

Louise Provencher, president

Louise Provencher is an independent curator, art critic and philosophy professor. Director of the collection Lieudit (CDD 3D), in the last years she has been interested in an archeological approach to the research of medias/technologies. She has spoken at a number of conferences and has published texts on this subject in many journals and catalogues. She has also curated a number of exhibitions, including: Porter le mur comme le masque by Michel Goulet and Montréal/Télégraphe : le son iconographe; the international colloquium Electre et Magnete on electromagnetism and the arts (UQAM 2003, OBORO 2004 et 2005); and Corps Électromagnétiques in collaboration with Nina Czegledy.

Peter Flemming, vice-president

Active for over a dozen years, Peter Flemming is a folk machinery artist, doing electronics handcraft ‘by ear,’ tinkering intensively and intuitively in the studio. He has exhibited extensively internationally and been the recipient of numerous grants, awards and residencies. An occasional writer and curator, he has produced exhibition texts for other artists. He is an active board member or member of several local arts organizations. A graduate of the Ontario College of Art and the Nova Scotia College of Art and Design, Flemming currently lives and works in Montréal, where he teaches electronics for artists at Concordia University.

Nadia Myre, administrator

Nadia Myre is a visual artist from Montreal (Quebec) whose multi-disciplinary practice is inspired by participant involvement as well as recurring themes of identity, language, longing and loss. She is a graduate from Concordia University (M.F.A., 2002) and a recipient of Les Elles de l’art (2011), CALQ’s Prix à la création artistique pour la région des Laurentides (2009), and an Eiteljorg Fellowship (2003). Her work is exhibited nationally and internationally and has received accolades from the New York Times and Le Devoir, as well as features in American Craft, ARTnews, Canadian Art, C Magazine and Parachute. Myre’s work is found in numerous collections, including: Bibliothèque et Archives nationales du Québec, Canadian Museum of Civilization, Eiteljorg Museum, Fonds régional d’art contemporain (FRAC) de Lorraine, MacKenzie Art Gallery, Musée des beaux-arts de Montréal, Musée national des beaux-arts du Québec, National Gallery of Canada, and Smithsonian National Museum of the American Indian.

Skawennati, administrator

Skawennati is an artist and independent curator with a BFA from Concordia University in Montreal. Since 1996, she has been working in Visual and New Media Art, beginning with the pioneering, Aboriginally-determined, on-line gallery and chat space, CyberPowWow. Her own artwork, which addresses history, the future, and change, has been widely exhibited. Skawennati is currently Co-Director, with Jason E. Lewis, of Aboriginal Territories in Cyberspace, a network of artists, academics and technologists investigating, creating and critiquing Aboriginal virtual environments. Their project, Otsì:!, a game mod created with students from Kahnawake Survival School, won imagineNative’s 2010 Best New Media Award. Skawennati has also been awarded a 2011 Eiteljorg Fellowship for Native American Fine Art.

Chantal Dumas, administrator

Artist Chantal Dumas explores the medium of sound through the production of radio documentary fiction or fiction, electro-acoustic music and sound installations. She has written and produced more than twenty-five radio pieces, many of which have been broadcast in Canada and abroad, including several in Germany, of which three were singled out at France’s Phonurgia Nova competition. You may have noticed the peculiar blue car on the orange line of the Montreal metro recently. It was actually Rose-Marie Goulet’s project POINT DE FUITE, for which Chantal Dumas created an audio environment. Her love of experimentation brings her to question the relationship between mobility, sound, space and the listener through interactive sound installation.