Eddy Firmin Lawond at Art Mûr

Date(s): Sep 7 to Oct 26 2024

Location: Art Mûr, 5826 Rue St-Hubert, Montréal, QC

Curator(s): Tamar Tembeck

Exhibition

Une pièce avec un papier peint à motifs bleus et blancs, des meubles rembourrés assortis, une étagère et un portrait encadré au mur. La pièce est dotée d'un sol en bois et de divers objets de décoration. A room with blue and white patterned wallpaper, matching upholstered furniture, a bookshelf, and a framed portrait on the wall. The room has wooden flooring and various decorative items.

© Eddy Firmin, vue de l’exposition Lawond, 2023. Photo : Mike Patten

In a second iteration of the exhibition he presented at OBORO in 2023, Eddy Firmin and curator Tamar Tembeck present Lawond, this time at Galerie Art Mûr.

Dealing with racism and the exploitation of bodies, Lawond is an evolving project that draws on collective archives from yesterday to today. Through participatory and reparative activities that engage with a plurality of media (sculpture, video, photography, installation), Lawond presents some of the narratives involved in co-constructing the artist’s experience as an Afro-descendant in Canada.

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Une pièce avec un papier peint à motifs bleus et blancs, des meubles rembourrés assortis, une étagère et un portrait encadré au mur. La pièce est dotée d'un sol en bois et de divers objets de décoration. A room with blue and white patterned wallpaper, matching upholstered furniture, a bookshelf, and a framed portrait on the wall. The room has wooden flooring and various decorative items.

© Eddy Firmin, vue de l’exposition Lawond, 2023. Photo : Mike Patten

Born and bred in the French Caribbean (Guadeloupe), Eddy Firmin is an artist-researcher and speaker who lives and works in Montréal (Canada). He holds a PhD in Études et pratiques des arts from the Université du Québec à Montréal (Canada) and a Master’s degree from l’École Supérieure d’Art et Design le Havre-Rouen (France). He coordinates the publication of the decolonial magazine Minorit’Art. His visual artwork questions the transcultural logics of his identity and the power imbalances at play. On a theoretical level, he works on a Méthode Bossale, a proposal for the decolonization of the imaginary in art. 

https://www.eddyfirmin.com/

Tamar Tembeck, PhD, is an art historian with a professional background as a performing artist, writer, and exhibition curatorTamar notably coedited the publications Caroline Gagné: Donner corps à l’insaisissable / Embodying the Intangible (OBORO), The Participatory Condition in the Digital Age (U. of Minnesota Press) and Conflict[ed] Reporting (Photography & Culture)Tamar is involved in both research and research-creation projects at the intersection of art and medicine, with collaborators stemming from diverse artistic and scientific disciplines. At OBORO, she has held the positions of General and Artistic Director (from 2018 to 2020) and Artistic Director (since 2020).

https://tembeck.org/
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© Eddy Firmin, detail from the exhibition Lawond, at Art Mûr, 2024. Photo: Michael Patten @labelleprovenance

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© Eddy Firmin, detail from the exhibition Lawond, at Art Mûr, 2024. Photo: Michael Patten @labelleprovenance

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© Eddy Firmin, detail from the exhibition Lawond, at Art Mûr, 2024. Photo: Michael Patten @labelleprovenance

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© Eddy Firmin, detail from the exhibition Lawond, at Art Mûr, 2024. Photo: Michael Patten @labelleprovenance

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© Eddy Firmin, detail from the exhibition Lawond, at Art Mûr, 2024. Photo: Michael Patten @labelleprovenance

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© Eddy Firmin, detail from the exhibition Lawond, at Art Mûr, 2024. Photo: Michael Patten @labelleprovenance