Nelly MironchuckLe jardin de ma mère

Date(s): Oct 15 to 31, 2025

Residency

Ombre d’une personne sur une pelouse ensoleillée. La silhouette, projetée sur l’herbe, montre la tête et le haut du corps, avec un bras levé tenant probablement un téléphone ou un appareil photo. Le sol est couvert de gazon vert parsemé de petites fleurs violettes et blanches, avec des zones d’ombre provenant d’arbres environnants. Shadow of a person on a sunlit lawn. The silhouette shows the head and upper body, with one arm raised, likely holding a phone or camera. The ground is covered in green grass with small purple and white flowers, dappled with shade from surrounding trees.

© Nelly Mironchuck, 2025

In partnership with l'École des arts visuels et médiatiques of UQAM

As part of a new media creation grant highlighting the quality of a project envisioned at the beginning of an artistic career by a graduate student from the Bachelor of Fine Arts in Visual and Media Arts at UQAM, OBORO welcomes Nelly Mironchuck for a production residency. The artist will develop the work Le jardin de ma mère (My Mother’s Garden), a continuation of her recent photographic and video project La rosée (2024). 

Through careful harvesting and documentation of a garden, this new production seeks to explore the transformative exchanges that unfold within this domesticated natural cycle. More broadly, the project examines ecological issues. Plants, insects, the environment, and humans interact, influence, and nourish one another. What occurs within this interconnection? Nelly Mironchuck conceives the garden as a biodiverse space that fosters aesthetic contemplation, relationship-building, reflection, and care. The artist acts both as an observer and a participant; she plans, sows, plants, weeds, and harvests this plot of land located at her mother’s home in Saint-Lin–Laurentides. During her residency at OBORO, she will focus on the post-production of the visual and sound documentation, which will later take the form of a multidisciplinary immersive installation. 

Ombre d’une personne sur une pelouse ensoleillée. La silhouette, projetée sur l’herbe, montre la tête et le haut du corps, avec un bras levé tenant probablement un téléphone ou un appareil photo. Le sol est couvert de gazon vert parsemé de petites fleurs violettes et blanches, avec des zones d’ombre provenant d’arbres environnants. Shadow of a person on a sunlit lawn. The silhouette shows the head and upper body, with one arm raised, likely holding a phone or camera. The ground is covered in green grass with small purple and white flowers, dappled with shade from surrounding trees.

© Nelly Mironchuck, 2025

Nelly Mironchuck is an emerging artist whose interdisciplinary practice includes drawing, performance, video installation, media art, and collaborative work with individuals from various artistic, scientific, and social backgrounds. Through her work, she bears witness to and reveals otherwise invisible and marginalized realities. Following an ecofeminist and ecological approach, she explores and documents the complexity of the relationships that connect her to the living and non-living world. Mironchuck holds a Bachelor of Fine Arts in Visual and Media Arts from UQAM. She also works as a cultural mediator at the Musée d’art contemporain des Laurentides (MACLAU). Her work has been presented in several group exhibitions, including PARCOMÈTRES VIII and IX (2024–2025), as well as in the exhibition Passage à découvert at Galerie de l’UQAM (2025). 

(+) Partner(s)